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Ariana Peyton's Diary (Mated to an enemy)
The sound of the gurneys almost deafen my ears, and the light from these doctors' torches is blinding me but I keep running towards the scene. It is 12 o' clock. In the midnight, I know even though I don't look at the clock over my head. With sweaty palms and terrific faces, five gurneys are wheeled towards the emergency rooms by the late night doctors. Even though their mouths are shut tight, I can hear millions of inaudible sounds coming out of them. Each of the gurneys are being wheeled by two personnels, and each time they pass me by, i peer into them to see the victims' faces clearly because I can not see them from where I am. The first face I see is badly disfigured. It's got a big mark from the forehead down to her upper eyelid, her lips are charred and her jaw is almost totally detached from the rest of her face. Hot drops of blood trickle down her head to her chest and her dress is soiled. She looks like she is no longer breathing and just as the ambulance pass by me, I see something in her hands-A red neck piece. She is clutching it tightly like it is her whole life. My red neck piece. Yes, this victim is my only sister, Jamie but I do not cry. I mean, I always want to cry but I can't. So my face is firm and peaceful, but I am screaming inside me. My legs are hitting the air and I'm ripping my hair inside of me, but outside? I am standing tall. Somehow, with all the swiftness as they pass by me, her hands shake and she loses hold of the red neck piece. As thick and shiny as my hair, our hair(hers blonde and mine black). It falls from her hands and drops at my feet just as soon as the second ambulance approaches me. I bend to pick up my red neckpiece-the one thing that binds my sister and I together but whoosh...it is air. I can see it on the cold tiled floor but when I try to pick it up, it is not there. I fall and shiver with the noise in my head but I cannot cry. I get up quickly to take a look at the second victim but I can't see 'its' face-the whole body is wrapped in a blue satin material that looks and smells like death. I wait for the third but it moves so fast I can't get a proper picture of her, but I do know it is a female. The fourth has blood dropping from his nose and his eyes are shut tight like he is in another world. The fifth body is wheeled upstairs and I hurriedly follow it. As I climb the staircase after them, I see a woman descending it; her countenance looks disheveled but her heart is dancing. She is jumping and laughing inside of her. When I look into her eyes, that's what I see but she does not see me pass. I stop staring at her and follow the ambulance which is now being rolled into the theatre with calculated moves. I want to see who the victim is, but they are so fast that they enter and lock the door before I can catch up. I sigh and hesitate for three minutes and then I remember the red neckpiece-the one that fell from Jamie's hands. "Jamie!" I scream in my head. Then my feet begin to move very fast down the stairs. I do not have the power to stop them from moving and they only stop at Emergency Ward 1 and I suddenly and supernaturally find myself inside without using the door. The neck piece still lay there, close to the reception. There on the bed in the emergency Ward lay my sister Jamie with her pale face and bloody body. Her left eyebrow is now gone and her nose and ears are bleeding. Her lips are still charred and a man in white coveralls keep wiping blood off her face and body every now and then. There are three men around her, plus a woman, pushing and pulling some strange machines on the wall and on the floor, to save her. The woman is placing a stethoscope on Jamie's chest. I watch her from the corner I am standing. She does it three times and then she stops, placing her head on the side of the bed which isn't bloodstained and I see, from her eyes two drops of tears fall into the soft bloodstained bed where Jamie lay. Just then, the three men stop pushing and pulling the machines, they shake their heads from side to side as if on cue and one of them proceeds to cover my sister's body with a long blue satin cloth- the same one the second victim has on his whole body. I shiver, seeing this cloth because I know it is used to wrap corpses in readiness for cremation. Suddenly I find my voice. "Don't! She's not dead! Don't cover her up!" I scream. My lips shiver as reality dawns on me. My whole body utter a yelp but they do not even look at me "Hey Doctors! Jamie's my sister, she cannot die! Please save her" I mutter under my breath because raising my voice doesn't help. "Pack her up quickly, the poor girl has given up" one of the men say to another and I try to cry but tears do not come. My eyes sting badly. I watch one of them roll her body like a burrito and wheel it out of the theatre. My feet scurry after him but it is all hopeless, so I soon stop going after him. I go up the stairs towards the fifth accident victim like a defeated warrior and lay my head on the door of the ward like a wounded child. For some reason, I do not want to see any more of these gory sights. So I turn to go, but, I hear a voice "Hello" I hear someone say to me. I turn around swiftly to face a tall man in white coveralls. His head has hair as black as coal and his voice sounds like several elephants trumpeting. I think he is a doctor here but I am shocked because he can see me, hear me. When he opens his mouth, I see that his teeth are very long and that his eyes shine in the dark. Dark red eyes, and with fingers that look like claws. "Please sir, I need you to save my little sister. Please stop that man from taking her there. I do not want her to go there" my voice is breaking but my eyes are as dry as a tree in summer. He moves his head from side to side and opens his mouth to talk. "You're a spirit", he says, "I have noticed you roaming about in the past hour and that's why I have come up to you. I am no doctor. I am here to save you" he raises his arms and...
A Contractual Marriage? Hell No!
Professor Aurora Reed of Astrait University has gotten into a shotgun marriage. Her husband, Owen Jenson, is from an affluent family. He throws a marriage contract at her and demands that they don't interfere in each other's lives after marriage. All he wants is for them to play their respective roles—he doesn't want her to have any unnecessary fantasies. She thinks this marriage is just something for them to get what they need—it'll end when the time is up. However, someone goes back on their word, rips the contract, and takes what they want. Everyone in the upper crust makes fun of Aurora for being a fake heiress that the Klein family has kicked out. They mock her and say that she only got the chance to marry into an affluent family because she's a substitute for someone. They also say Owen has a girlfriend he's deeply in love with. Once she returns, it'll be time for Aurora to leave. The tables are turned when someone records a video of Owen telling the truth when he's drunk. "My precious wife hails from an affluent family, and I've had my eye on her for years. She went from being Astrait University's renowned genius to a globally renowned scientist—she's the one settling for me. "I'm a CEO, but I burned the midnight oil reading scientific texts just so we could have common topics to discuss. My assets are all under her name, and I lose my mind when she replies to my messages a second later than usual. Isn't that considered true love?"
Domineering Billionaire Husband: Please Love Me Gently
She was forced to accept a marriage proposal from a strange billionaire to pay her huge debt and to take back her inheritance left to him when her mother died.Nathan's lawyer handed her the documents, including the marriage certificate.Crystal contemplated the proposal for a moment before addressing Mike, his lawyer. "I only have two questions," she said. "The first question is this: if I sign it, does it mean that I don't need to pay my debt?"Mike: "Yes. And your second question...?"Crystal: "Okay, I haven't reached the legal age for marriage yet, so even if I sign it, it won't take effect. Is that right?"Nathan quickly raised his hand and said, "If I say that it is effective, no one will dare to say that it isn't. Do you believe that?""I suppose so," Crystal admitted. She hesitated for a moment, and then she signed the marriage certificate.Months later, she asked for a divorce from him. He stared at her in silence, then he uttered, "Have I ever told you how much I love you?""What does that have to do with our divorce?" Crystal asked."I'm only asking because I care about you," Nathan murmured.Suddenly, tears began to stream down Nathan's face."I'll be happy if you say that you care about me," Nathan continued. "Why must you torture me this way? Haven't I done enough to prove my love for you?"She was stunned hearing his confession and words stuck on her throat.Nathan carried on with his little speech. He said, "I have died once, and the fear of death has no hold on me. But if you admit that you care for me, then I will live for you! So, please, love me once, and I will be at your disposal!"
In Bed With Her Shithead Boss
Three Stories in one. Read about the Warner sisters Sutton, Blair and Keira. In Bed With Her Shithead Boss - Coming home to find her fiancé in bed with her cousin should have broken her, but Blair refuses to fall apart. She's strong, capable, and determined to move on. What she doesn't plan on is drowning her sorrows in too much of her bosses scotch... or ending up in bed with her ruthless, dangerously charming boss, Roman. One night. That's all it was supposed to be. But in the cold light of day, walking away isn't so easy. Roman isn't a man who lets go-especially not when he's decided he wants more. He doesn't just want Blair for a night. He wants her, period. And he has no intention of letting her go. CEO's Runaway Mistress - When model “Audrey” discovers she’s pregnant with billionaire Luca De Santis’s baby, she’s terrified to tell him. Their eleven-month affair has been passionate but uncommitted. Before she can find the right moment, Luca brutally ends their relationship, revealing he’s engaged to a teenage heiress and cruelly accusing Audrey of trying to trap him when she reveals her pregnancy. Heartbroken and alone, Audrey vanishes, returning to her real identity as Sutton Warner. Months later, a twist of fate brings them face-to-face again when Luca acquires the tech company where Sutton works. He’s stunned to discover the truth: not only is she carrying his child, but “Audrey” never existed. She’s actually Sutton, a gifted programmer with a mind as beautiful as her face. As corporate sabotage threatens to destroy everything they’ve built, Luca and Sutton must navigate their complicated past while fighting their still-burning attraction. But with his cruel rejection still haunting her and her fierce independence at stake, can Luca convince Sutton to give him and their family a second chance before it’s too late?
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