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In Bed With Her Shithead Boss
Three Stories in one. Read about the Warner sisters Sutton, Blair and Keira. In Bed With Her Shithead Boss - Coming home to find her fiancé in bed with her cousin should have broken her, but Blair refuses to fall apart. She's strong, capable, and determined to move on. What she doesn't plan on is drowning her sorrows in too much of her bosses scotch... or ending up in bed with her ruthless, dangerously charming boss, Roman. One night. That's all it was supposed to be. But in the cold light of day, walking away isn't so easy. Roman isn't a man who lets go-especially not when he's decided he wants more. He doesn't just want Blair for a night. He wants her, period. And he has no intention of letting her go. CEO's Runaway Mistress - When model “Audrey” discovers she’s pregnant with billionaire Luca De Santis’s baby, she’s terrified to tell him. Their eleven-month affair has been passionate but uncommitted. Before she can find the right moment, Luca brutally ends their relationship, revealing he’s engaged to a teenage heiress and cruelly accusing Audrey of trying to trap him when she reveals her pregnancy. Heartbroken and alone, Audrey vanishes, returning to her real identity as Sutton Warner. Months later, a twist of fate brings them face-to-face again when Luca acquires the tech company where Sutton works. He’s stunned to discover the truth: not only is she carrying his child, but “Audrey” never existed. She’s actually Sutton, a gifted programmer with a mind as beautiful as her face. As corporate sabotage threatens to destroy everything they’ve built, Luca and Sutton must navigate their complicated past while fighting their still-burning attraction. But with his cruel rejection still haunting her and her fierce independence at stake, can Luca convince Sutton to give him and their family a second chance before it’s too late?
Tangled With The Other Brother
She was always the good girl. Until heartbreak made her reckless. Elena Sinclair thought marriage meant forever. But five years in, her “forever” has become a gilded cage of pain and betrayal. She’s the wife who couldn’t give him a child. The barren disappointment. And for that, her husband offered her a cruel compromise… an open marriage. One that gave him the right to find someone who could carry his heir. The next day, he brought a pregnant woman home. The same woman who was first introduced as his cousin. The humiliation doesn’t end there, his mother lashes out… hurling insults and even fists, while her husband turns a blind eye. Not once has he defended her. Not once has he shown her love. She’s nothing more than a placeholder… a name on a marriage certificate. The cruelest part? She loved him. She loved him long before the vows, long before the lies… so deeply it blinded her to who he really was. Now, to make him jealous, she turns to the one man she should never touch: Jaxx Moretti, her husband’s younger brother. The dangerous one. The black sheep of the Sinclair family. The man who once made her high school years hell… and now has every reason to destroy her husband's legacy. What starts as a twisted game soon ignites into something raw, addictive, and completely forbidden. But Jaxx isn’t just her escape. He’s everything her husband isn’t. Because the deeper she sinks into Jaxx's bed… The harder it becomes to crawl back out. Content Warning: This book contains mature themes intended for adult audiences (18+), including explicit sexual content, toxic relationships, manipulation, and emotional trauma. Reader discretion is strongly advised.
Kneel Down to Win Back the Heiress Queen
[Update 4 chapters daily] Nancy Moore grows up indulged and sheltered by the influential Moore family, only to discover one day that she is actually the daughter of the far less notable Liddell family.Her adoptive parents, fearing she will suffer if sent back, support the Liddells discreetly behind the scenes. Not wanting to add to their burden, Nancy quietly slips away to rejoin the Liddells.But the Liddells, arrogant about their noble status, greet her return with scorn. Her birth parents accuse her of lacking the grace of a "real" heiress, unlike their adoptive daughter, Raine Liddell—who's talented and accomplished.They claim, "An heiress needs to pick up all sorts of skills and knowledge. You need to learn from your sister."Later, the Liddells boast about Raine being qualified for the finals of a piano competition, only to spot Nancy on the judges' panel.They are proud of Raine's status as a designer prodigy, and that she dreams of studying under a national treasure, only to find that figure is none other than Nancy.When the Liddells warn Nancy to not fantasize about Raine's fiancé, who's also the heir of the Fuller family, the said heir declares his love for Nancy while holding her lovingly. "When are you going to acknowledge me as your partner, babe?" he asks.Having made discovery after discovery on Nancy's actual identities, the Liddells finally realize that Nancy is the key to their ascension through the elite's ranks. Regret floods them, tears tracing lines down their cheeks as they plead for her to return.But the elite Moore family snaps, "Get lost! From now on, Nancy is only a Moore!"
The Woman Who Gave the Tycoon an Heir
"Give birth to my baby, and I'll give you everything you want." In order to raise enough money for her mother's surgery bills, Amelia Warren spends a night with a stranger. At first, she thinks she won't see him ever again, but her accidental pregnancy intertwines her fate with his. Amelia rejects that suggestion immediately. "This is my uterus. I have the right to decide whether or not I want to give birth to this baby." The man stops her in a domineering fashion. "You have no say in this matter!" Michael Sutton, the famous business mogul in Southport, is a noble and prestigious man equipped with extremely brutal methods. No one dares to defy him at all. Rumors have it that he's cold, distant, and isn't interested in the fairer sex at all. Some even whisper of his inability to sire children of his own. That is, until the paparazzi snap photos of him accompanying a woman to a prenatal check-up. "Darling, you must be tired from all the walking. I'll carry you into the room." "Darling, you must be thirsty, right? I'll feed you some water." The so-called cold and distant man transforms into a henpecked husband right in front of the cameras, leaving everyone shell-shocked. … Before Amelia meets Michael, she's stuck in a hopeless situation. Her dad is a gambling addict, and her mom is very ill. Before she can even graduate from university, she's already saddled with heavy debts. She envisions her life of despair to remain like this for as long as she draws breath. That is, until she meets the ever-so domineering yet devoted Michael, who loves her with all his heart. That's when everything changes. Some people mock her for her low status, saying that she's not fit to be a part of the upper crust. They even think that she has no right to stay by Michael's side and speculate that she must have seduced her way to this position. Michael states, "The moment I laid my gaze on Amelia, I fell in love with her at first sight. I was the one who kept pestering her until she agreed to marry me." A certain higher-up in the government also pipes up, "Please take good care of Amy, my dearest daughter-in-law."
Mafia Obsession
DARK ROMANCE "Sir, I am in a dire need of loan. Its very important, my friends life is at stake. I assure you I'll try my best to return the loan asap." She breathlessly said it all. Her eyes were filled with hope and expectations. He was her last hope. "Miss Sheharzaad," Shehryaar said, while standing up from his chair causing her to instantly stand up. "Yes sir" she replied, her voice troublesome yet confident. He walked towards the other side of the table and sat on the chair parallel to her. "Keep sitting, please." He said, like a gentleman and she sat down. She tightly held her hands together. A life could be saved by his single yes. "Sir please," she pleaded. "I agree. You can have the loan, but I have a condition." "I agree to your every condition sir" she replied with a little smile of victory on her face. "Think before you speak, Miss Sheharzaad." "I trust you." "I want a one night stand with you." He dropped the bomb. ............ "Every women is nothing but a , a and you're also one of them." He said making her wriggling double against the ropes, which tied her. "You're wrong." She replied with a sheer determination in her eyes. He harshly gripped held her chin and bobbed her head up towards him. "Oh, I'll prove it to you then." He spoke with an immense intensity and a promise in his eyes. "You'll now serve me as my personal escort, Sheharzaad." He declared and threaded his fingers into her silky locks, pasting his lips on hers, her brutally. He didn't trust womankind and she was a strong woman. He wanted shatter and break her into pieces so he could satisfy himself.
Ariana Peyton's Diary (Mated to an enemy)
The sound of the gurneys almost deafen my ears, and the light from these doctors' torches is blinding me but I keep running towards the scene. It is 12 o' clock. In the midnight, I know even though I don't look at the clock over my head. With sweaty palms and terrific faces, five gurneys are wheeled towards the emergency rooms by the late night doctors. Even though their mouths are shut tight, I can hear millions of inaudible sounds coming out of them. Each of the gurneys are being wheeled by two personnels, and each time they pass me by, i peer into them to see the victims' faces clearly because I can not see them from where I am. The first face I see is badly disfigured. It's got a big mark from the forehead down to her upper eyelid, her lips are charred and her jaw is almost totally detached from the rest of her face. Hot drops of blood trickle down her head to her chest and her dress is soiled. She looks like she is no longer breathing and just as the ambulance pass by me, I see something in her hands-A red neck piece. She is clutching it tightly like it is her whole life. My red neck piece. Yes, this victim is my only sister, Jamie but I do not cry. I mean, I always want to cry but I can't. So my face is firm and peaceful, but I am screaming inside me. My legs are hitting the air and I'm ripping my hair inside of me, but outside? I am standing tall. Somehow, with all the swiftness as they pass by me, her hands shake and she loses hold of the red neck piece. As thick and shiny as my hair, our hair(hers blonde and mine black). It falls from her hands and drops at my feet just as soon as the second ambulance approaches me. I bend to pick up my red neckpiece-the one thing that binds my sister and I together but whoosh...it is air. I can see it on the cold tiled floor but when I try to pick it up, it is not there. I fall and shiver with the noise in my head but I cannot cry. I get up quickly to take a look at the second victim but I can't see 'its' face-the whole body is wrapped in a blue satin material that looks and smells like death. I wait for the third but it moves so fast I can't get a proper picture of her, but I do know it is a female. The fourth has blood dropping from his nose and his eyes are shut tight like he is in another world. The fifth body is wheeled upstairs and I hurriedly follow it. As I climb the staircase after them, I see a woman descending it; her countenance looks disheveled but her heart is dancing. She is jumping and laughing inside of her. When I look into her eyes, that's what I see but she does not see me pass. I stop staring at her and follow the ambulance which is now being rolled into the theatre with calculated moves. I want to see who the victim is, but they are so fast that they enter and lock the door before I can catch up. I sigh and hesitate for three minutes and then I remember the red neckpiece-the one that fell from Jamie's hands. "Jamie!" I scream in my head. Then my feet begin to move very fast down the stairs. I do not have the power to stop them from moving and they only stop at Emergency Ward 1 and I suddenly and supernaturally find myself inside without using the door. The neck piece still lay there, close to the reception. There on the bed in the emergency Ward lay my sister Jamie with her pale face and bloody body. Her left eyebrow is now gone and her nose and ears are bleeding. Her lips are still charred and a man in white coveralls keep wiping blood off her face and body every now and then. There are three men around her, plus a woman, pushing and pulling some strange machines on the wall and on the floor, to save her. The woman is placing a stethoscope on Jamie's chest. I watch her from the corner I am standing. She does it three times and then she stops, placing her head on the side of the bed which isn't bloodstained and I see, from her eyes two drops of tears fall into the soft bloodstained bed where Jamie lay. Just then, the three men stop pushing and pulling the machines, they shake their heads from side to side as if on cue and one of them proceeds to cover my sister's body with a long blue satin cloth- the same one the second victim has on his whole body. I shiver, seeing this cloth because I know it is used to wrap corpses in readiness for cremation. Suddenly I find my voice. "Don't! She's not dead! Don't cover her up!" I scream. My lips shiver as reality dawns on me. My whole body utter a yelp but they do not even look at me "Hey Doctors! Jamie's my sister, she cannot die! Please save her" I mutter under my breath because raising my voice doesn't help. "Pack her up quickly, the poor girl has given up" one of the men say to another and I try to cry but tears do not come. My eyes sting badly. I watch one of them roll her body like a burrito and wheel it out of the theatre. My feet scurry after him but it is all hopeless, so I soon stop going after him. I go up the stairs towards the fifth accident victim like a defeated warrior and lay my head on the door of the ward like a wounded child. For some reason, I do not want to see any more of these gory sights. So I turn to go, but, I hear a voice "Hello" I hear someone say to me. I turn around swiftly to face a tall man in white coveralls. His head has hair as black as coal and his voice sounds like several elephants trumpeting. I think he is a doctor here but I am shocked because he can see me, hear me. When he opens his mouth, I see that his teeth are very long and that his eyes shine in the dark. Dark red eyes, and with fingers that look like claws. "Please sir, I need you to save my little sister. Please stop that man from taking her there. I do not want her to go there" my voice is breaking but my eyes are as dry as a tree in summer. He moves his head from side to side and opens his mouth to talk. "You're a spirit", he says, "I have noticed you roaming about in the past hour and that's why I have come up to you. I am no doctor. I am here to save you" he raises his arms and...
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